Thermal baths of the ancient Romans - example Sardis
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Between the 2nd and 4th centuries AD, the heyday of the so-called Imperial Baths, hand-made bricks were used for most buildings in the Roman Empire (see Sardis).
So that we are fundamentally informed about how they are made, we will briefly let Leone Battista Alberti, a master builder from the Renaissance, have his say: "Bricks made from the same earth become much stronger when the mass, like bread dough, ferments and is cleaned of all the stones, even the smallest ones.
Bricks and tiles were very popular building materials, as was pozzolan, a loose, earth-like material that was ideal for making mortar. The Roman builders were fond of mortar and especially cement. This led to the creation of Opus Cementitium, which played an important role in ancient architecture as concrete. But glass was also used. A mixture of quartz sand, lime and potash produced the first usable glass. Although this glass was not used very often because it was not stable enough for windows, it was often used in rooms where people wanted to make use of the warming power of the sun.
Most of the light openings and windows were simply completely open, which was what determined the seasonal opening times. In heated rooms, however, glass was used. As for marble, it should be said that it was often only used as external cladding for buildings, as it was a relatively expensive building material. Its use became more frequent as the Roman Empire developed and became more-wealthy.
The designs in thermal bath construction
As the thermal baths had to be as conveniently located as possible and still look prestigious, it was not always easy for the architects to build a dream thermal bath according to their ideas. The engineers often had to adapt to local conditions and more or less "squeeze" the buildings into gaps. Once the space problem had been solved, another problem arose: the water supply. Getting the water was not easy. But since the engineers of the time were not lacking in ingenuity, they managed to literally flood the cities with water.
"But whoever sees the abundance of water so skilfully channelled into the city for public purposes - baths, houses, gutters, suburban gardens and villas; whoever considers the high aqueducts required to ensure its proper conveyance; whoever thinks of the mountains which had to be pierced and the valleys which had to be filled up for this purpose, will admit that the world has nothing more admirable to show."
The equipment of the thermal baths
The apodyterium was followed by the frigidarium, a mostly rectangular room that was never heated and whose pools, the piscines, contained cold water. There were also marble chairs in which one could have cold water poured over oneself. There are said to have been 1,600 of these marble chairs in the Caracalla Baths. It was also possible to have a massage. The frigidarium was usually the largest room in the thermal baths, towering over the others and often richly decorated. It is therefore not far-fetched to describe the frigidarium as the recreation room in the thermal baths. Parallel to the frigidarium there was often a large sports hall, called a palaestra or gymnasion.
The room was relatively small compared to the other rooms in the thermal baths. People did not stay there for very long, usually only until their bodies had got used to the higher temperature. However, if there was no separate anointing room (unctorium) in the entire complex, the tepidarium could also take on this function. Once people had slowly got used to the higher temperature, they could continue bathing by entering the caldarium, which was the hottest room in the thermal baths.
If the thermal baths were very large, or if there was enough money available when they were built, there was often a separate sweat bath, the Laconicum. A small, round room, which in turn had niches in which one could sit down. As finds from the Thermae Stabiane in Pompeii show us, the Laconicum was obviously not heated with a hypocaust system, but with a charcoal oven, which produced enormous heat and was therefore more suitable. However, as already mentioned, not all thermal baths had this room.
As already mentioned in the case of the tepidarium, there was often a separate ointment and massage room where you could also be oiled. Massages were given by the in-house masseurs, or by slaves who had been brought along. There were also doctor's offices, where operations and dental treatments were also carried out from time to time. Of course, the doctors or balneologists (as they were also called) were happy to give advice on the bathing process and the sequence of rooms.
For relaxation, libraries and lecture rooms were often available in the larger complexes. Bathers thus had the opportunity to educate themselves in the libraries after bathing or to listen to a poet or philosopher in the lecture rooms before continuing their bathing. Finally, the snack bars, the rest areas and rooms and the gardens and green areas, of which there were often numerous, should be mentioned.
The heating and hypocausts of the thermal baths
These heating systems are roughly comparable to our modern underfloor heating. The ancient architect Vitruvius writes about this: "The suspended floors of the baths must be designed in such a way that a floor covering of 1.5-foot brick slabs is first laid, which is inclined towards the under-fire furnace in such a way that a ball thrown into it cannot remain inside, but rolls back to the heating chamber anteroom (preafurnium) of its own accord. This will make it easier for the flame to spread under the suspended superstructure. Pillars made of eight-inch bricks should be built on the paved floor, spaced at such a distance that 2-foot brick slabs can be laid on top of them. The pillars should be 2 feet high. They should be layered with clay kneaded with hair, and 2-foot-long brick slabs should be laid on top of them to support the screed."
Decoration and ornamentation in the thermal baths
Today, the only mosaics you can often find are in the ruins of ancient bathing facilities. Mosaics were mostly colourful patterns, but also often depicted religious, imperial or hygienic ceremonies, which is why most theories about the bathing process and the processes in the baths are documented and justified.
They were also often found on the walls, especially in the hot, humid rooms, where they replaced the wall paintings, as these did not prove to be resistant to the unfavourable conditions.
The architects of the time were very good at designing and decorating the interior of the baths so that the individual works of art complemented each other and thus formed a single, large piece. Stucco ornaments and engravings played a major role in connecting the individual works.
Please read as well:
The Roman baths and ancient bathing
Tahtali - mountain of the gods of Greek mythology?
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Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes -
Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes -
Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes -
Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes -
Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes -
Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes -
Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes -
Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes -
Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes -
Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes -
Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes -
Roman Thermal Bath at Sardes Roman Thermal Bath at Sardes
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